Shakespeare's Social Life
April 17, 2003
by Joe Sobran
Overlooked in the hubbub last week was the birthday
of Edward de Vere, Earl of Oxford, who was born on
April 12, 1550. As you may know by now, Oxford wrote the
plays and poems we read under the name of "William
Shakespeare."
There was a man named William Shakespeare, or
Shakspere, of Stratford upon Avon. For most of my life I
accepted the traditional belief that he was the author. I
eagerly read every biography I could find, hoping for
some insight into the connection between the man and his
works. I was disappointed every time, but that didn't
weaken my belief -- my blind faith, actually -- in his
authorship.
What about those who said the real author was
someone else? I didn't even want to hear their arguments.
I wrote them off as cranks and snobs, without knowing
what they had to say. But as soon as I finally listened
to them, my lifelong prejudice was smashed. I was
overwhelmed by the case for Oxford. Soon, with a
convert's zeal, I was writing my own book making the case
for Oxford. It was published in 1997 under the title
ALIAS SHAKESPEARE, and has since been translated into
German and Japanese.
Oxford's life and personal letters are echoed in the
Shakespeare works in hundreds of ways. Everything I
sought in the conventional biographies is there: the
specific links between the man and the work.
Everything we know about William of Stratford can be
written on a single sheet of paper -- mostly records of
his mundane business dealings, which have nothing to do
with the plays and poems. Nothing in those records
suggests a literary man, let alone a man of genius.
In fact, the oddest thing about his life (if you
assume he was the author) is his apparent social
isolation. He spent some years in London, and yet --
though the city was teeming with brilliant writers -- he
doesn't seem to have known any of them. Could the most
brilliant writer of the Elizabethan age have escaped all
contact with his literary contemporaries?
The sole exception is Ben Jonson, who claimed to
have known and loved "Shakespeare." But Jonson made this
claim many years later, long after William was dead, and
his testimony is suspicious on many counts.
By contrast, Oxford personally knew many of the
writers "Shakespeare" should have known. He was also a
patron of the arts and the theater. The novelist-
playwright John Lyly and the sonneteer Thomas Watson were
in his employ; both dedicated books to him, as did Robert
Greene, the brilliant playwright and pamphleteer. Thomas
Nashe, another playwright-poet-novelist-pamphleteer, was
Oxford's pal. Edmund Spenser, the most esteemed poet of
the time, was Oxford's warm friend and admirer; the
admiration was mutual. Oxford was also a cousin of
Francis Bacon, the philosopher and essayist.
In short, Oxford was in the thick of Elizabethan
London's vibrant literary life. Those who knew him and
his work had only the highest praise for his literary
genius. Spenser called him "most dear" to the Muses.
Two of Oxford's uncles, Henry Howard (Earl of
Surrey) and Arthur Golding, were poets and translators
who are known to have been among the chief literary
influences on Shakespeare. Golding dedicated two books to
Oxford.
The first two works published under the name of
Shakespeare were dedicated to the third Earl of
Southampton, who nearly married Oxford's daughter
Elizabeth. The posthumous collected plays of Shakespeare
were dedicated to the Herbert brothers, earls of Pembroke
and Montgomery. Pembroke nearly married Oxford's daughter
Bridget, and Montgomery did marry his daughter Susan. So
Oxford could easily have become the father-in-law of all
three of Shakespeare's known dedicatees!
For good measure, the great Lord Burghley, the
queen's powerful Lord Treasurer, is almost surely the
model for Polonius in HAMLET. Like Polonius, he sent a
spy to watch his playboy son in Paris. Only someone close
to him, as Oxford was (and William wasn't), would be
likely to know such things about his private life. He was
Oxford's guardian and father-in-law; relations between
the two men were often strained, which may explain why
Polonius is drawn so unflatteringly.
Oxford's social life doesn't in itself prove his
authorship, but as Sherlock Holmes might say, "It is
highly suggestive, Watson, is it not?"
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